Enjoy Neil Patrick Harris, Nathan Fillon and some redheaded woman in "Dr. Horrible's Sing-Along Blog" here. All parts disappear tomorrow night so watch them now.
FYI (and spoilerish comment):
The feminist Interwebs have been frothing at the mouth about Penny's character development.
Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts
Sunday, July 20, 2008
Tuesday, January 29, 2008
Spinster.
There is a cute boy who works in my building. And of course I say "boy" though he is likely in his thirties. This keeps me in the "girl" camp because oh my God I am not a woman yet. Or womyn. Or lady. Though I do like the phrase lady-bird. I don't know why. Perhaps because I see a bird in a very elaborate hat. And that makes me smile.
Anyway.
So this boy-man who works in my building. I do not think I've tipped the stalker-scale yet. We've noticed each other in the garage. We've exchanged "oh, the dollar bill feeder isn't working" pleasantries at the vending machines. We've tossed shy smiles back and forth.
And I am a total pussy.
Because I will not go any further than this. Will not lay myself open to vulnerabilities and rejection and, lord save us, possibilities. Gracious, no.
I can hear Bum hitting her head against the keyboard right now. Perhaps screaming at me in that way that makes her voice go up just a little with exasperation. All very charmingly accented.
Because I feel like my days of flirting without alcohol are past. And I will be the woman in her house with millions of dollars worth of art that articles are written about and journalists can't call just "woman" or "lady" or "that crazy old bat." No, the call her spinster.
Except I will be the spinster with millions of dollars worth of cosmetics and trashy novels.
That?
That right there?
That's called catastrophizing. Pro tour.
Anyway.
So this boy-man who works in my building. I do not think I've tipped the stalker-scale yet. We've noticed each other in the garage. We've exchanged "oh, the dollar bill feeder isn't working" pleasantries at the vending machines. We've tossed shy smiles back and forth.
And I am a total pussy.
Because I will not go any further than this. Will not lay myself open to vulnerabilities and rejection and, lord save us, possibilities. Gracious, no.
I can hear Bum hitting her head against the keyboard right now. Perhaps screaming at me in that way that makes her voice go up just a little with exasperation. All very charmingly accented.
Because I feel like my days of flirting without alcohol are past. And I will be the woman in her house with millions of dollars worth of art that articles are written about and journalists can't call just "woman" or "lady" or "that crazy old bat." No, the call her spinster.
Except I will be the spinster with millions of dollars worth of cosmetics and trashy novels.
That?
That right there?
That's called catastrophizing. Pro tour.
Labels:
being social,
feminism,
hah.,
i'm an old woman,
the future,
worky work
Monday, January 07, 2008
(double) huh
A book recommendation for yous, just in time for a new week of reading in those shiny, happy cubicles.As the io9 writer(s?) puts it, "[the Feminists] is the story of cubicle drone Keith Montalvo, who has been caught consensually slipping the pink torpedo to a female co-worker. Unfortunately, it's 1992 and the Big-Sisterish "Committee" has outlawed all unauthorized heterosex, and his crime is punishable by death. Keith flees underground, literally and figuratively, where he meets Angela, a boot-wearing resistance fighter hottie. Luckily for Keith, while women on the outside reject all males, Angela and other female members of the Subterraneans resistance movement are "attached to the men with arm-clinging closeness." Soon he and Angela are working (arm-in-arm, of course) to assassinate the President, and reclaim gender supremacy for men."
Why, Angela, why? Was the shagging worth it? I wonder if the book answers that (off to Amazon to check)
Thanks to io9 for the link.
Labels:
1992 was better than 1984,
feminism,
pulp fiction,
the future
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